Published on what? Nov 22, 2025
Free
The name RocNation rings bells in the entertainment business. It’s one of the top management companies in the world, representing recording artists, songwriters, publishers, and athletes. Its roster includes:
LaMelo Ball
Megan Thee Stallion
Rihanna
A$AP Rocky
Big Sean
That’s major star power. So when RocNation launches a music distribution service, recording artists pay attention.
The psychology behind this is simple. Art is one of the few fields where almost everyone looks down on you until you achieve some level of success. As a result, many artists chase symbols of validation.
I’ve seen artists buy fake followers, fake views, and fake streams. I’ve seen artists push their videos through VEVO—not because VEVO does anything special, but because they want the logo. Some even steal the VEVO logo from Google Images to paste onto their thumbnails.
This same psychology plays out with RocNation. Artists want the brand association. That’s why the RocNation Distribution FAQ has to address whether artists can use its logo in promo materials and cover art. When validation is the motivating factor, artists stop judging the value of the service and focus on the appearance of affiliation.
A quick scan of TrustPilot shows that an earlier version of RocNation Distribution existed. It has a 2 out of 5 score with 100% negative reviews. The consensus:
Artists signed up
Uploaded music
Then were locked out of their accounts
With no customer support response
That history makes the current Terms of Use worth examining closely.
RocNation’s current Terms of Use grant the company broad, sweeping rights to your music:
License your works
Sublicense them
Issue sync licenses
Create derivative works (think Chamillionaire’s “Ridin’ Dirty” vs Weird Al’s “White & Nerdy”)
Modify, adapt, and distribute in any format
Some of these rights are normal. DSPs generate their own clips, previews, and promotional edits, so distributors need certain permissions.
But three characteristics here are unusual:
You can’t authorize anyone else to distribute or exploit your content.
You can’t take the rights back simply by leaving the platform.
Even if RocNation terminates your account, the license doesn’t end.
This is the part most artists will miss.
If RocNation terminates your account—or locks you out, as the TrustPilot reviews indicate—they are not required to remove your music from DSPs.
They can continue to monetize your catalog indefinitely.
The Terms explicitly state that RocNation is only obligated to pay royalties that accrued before termination.
Anything earned after termination?
The contract does not obligate them to pay you.
Combine that with:
Exclusive rights
Irrevocable license
Surviving rights after termination
…and you arrive at the most dangerous part:
And if you discover this too late, there is nothing you can do because…
The Terms impose a strict one-year statute of limitations on any claims.
If RocNation continues monetizing your catalog in foreign territories—which often report royalties with long delays—you may not find out for 18–24 months.
At that point, you’re legally barred from filing any claim.
Class action waivers are becoming common in music distribution agreements, but in this context, it’s especially concerning.
If multiple artists:
Are locked out,
Can’t reach support,
Aren’t paid,
And their catalog stays live,
…they cannot band together to take action. RocNation only has to deal with individual isolated cases, most of whom lack the time or money to pursue arbitration in New York.
A class action waiver, paired with:
Irrevocable rights
Survival clauses
A claim time limit
A history of account lockouts
…should raise every possible red flag.
| Concern | Direct Quote | Location |
|---|---|---|
| Exclusive, irrevocable rights | “By uploading Licensed Content to the Service, you grant Company the exclusive, sublicensable and worldwide license to use … and collect all revenue generated … Without limiting the generality of the foregoing … you grant to Company and its affiliates the irrevocable, worldwide, right and license …” (ROC Nation Distro) | Section 3 (“Grant of Rights”) |
| Rights survive termination | “Upon any termination … (a) all obligations that accrued prior to the effective date of termination and all remedies for breach of these TOS shall survive and (b) the provisions of these TOS that by their nature are intended to survive termination shall so survive.” (ROC Nation Distro) | Section 6 (“Termination”) |
| No obligation to pay royalties post-termination | “Company shall not be required to make any payments relating to, arising out of, or in connection with the exploitation of your Licensed Content in accordance with these TOS and you shall be responsible for paying all royalties …” (ROC Nation Distro) | Section 4 (“Licensed Content Obligations”) |
| One-year window to challenge misuse | “YOU AGREE THAT ANY CLAIM YOU MAY HAVE ARISING OUT OF OR RELATED TO YOUR RELATIONSHIP WITH COMPANY MUST BE BROUGHT WITHIN ONE (1) YEAR AFTER SUCH CLAIM AROSE; OTHERWISE, YOUR CLAIM WILL BE PERMANENTLY BARRED.” (ROC Nation Distro) | Section 19 (“Dispute Resolution”) |
| Class action waiver | “YOU HEREBY IRREVOCABLY AND UNCONDITIONALLY WAIVE … ANY RIGHT TO PARTICIPATE IN A CLASS ACTION, WITH RESPECT TO … ANY LEGAL ACTION, PROCEEDING, CAUSE OF ACTION …” (ROC Nation Distro) | Section 20 (“Waiver of Jury Trial”) |
| No obligation to remove music after termination | Note: There is no explicit clause that says “Company must remove your work from DSPs upon termination.” The TOS states that the Company may terminate and you must stop using the Service, but does not obligate Company to remove or stop exploitation of your Licensed Content. → This absence of obligation is itself a red-flag. For example: “We may terminate access … with or without cause … effective immediately.” (ROC Nation Distro) | Section 6 (“Termination”) |
Modern music distributors don’t differ much. The main areas where a distributor can stand apart are:
Cost
Reliability
Customer support
Promotional support
RocNation offers no advantage in any of those categories.
It charges 15% of your gross revenue. That means the more you earn, the more you owe—without any increase in support or services.
There’s no track record comparable to TuneCore’s long history or CD Baby’s legacy.
Standard ticket-based support. No dedicated rep. No industry relationships.
None included.
RocNation highlights:
Music video distribution
Aggregated social media metrics
Mentions tracking
These features look good on paper, but here is the reality:
This only matters if your music videos earn significant revenue.
With a 15% cut, earning $3,000 in a year from YouTube or Vevo means RocNation takes $450 from your music video monetization alone.
Compare that to:
DistroKid: ~$99/year for unlimited music video delivery
Venice Music: ~$500/year for both audio and video, 100% royalties kept
If you’re earning actual video money, RocNation becomes the most expensive option.
These are almost certainly sourced from Chartmetric or a similar third-party provider.
Chartmetric allows any artist to sign up and claim their profile for free. You don’t need to give up 15% of your royalties for this.
And if you’re already buzzing, you won’t need a dashboard to tell you.
RocNation Trading on the strength of its brand, not the strength of its distribution service.
Artists drawn to the name risk overlooking terms that give RocNation:
Exclusive, irrevocable rights
Surviving licenses after termination
No obligation to pay royalties post-termination
A one-year window to challenge misuse
A class action waiver
A 15% cut of all earnings
No obligation to remove music after termination
In the best case, it’s simply not a good deal.
In the worst case, it creates a loophole where artists can lose control of their catalog and the revenue it generates.